Tracer Rounds – Long-Form
Telling a story that needs room to breathe ~
One of the things I drop on my students every semester in an introduction to the idea of long-form journalism. I already know that I’m the weirdo in most already-weird wargaming crowds in that I’m the one with the journalism degree, not the history/poli-sci/sociology degree, or an engineering background, but I do believe that long-form journalism, when done right, can be a powerful tool for telling real stories about real people. And I wish someone would take the time for a solid, serious, long-form article about our hobby, and give it the same kind of exposure that other long-form articles get from big media.
Long-form journalism is hard to do, as it takes a long time, and possibly a lot of travel, to thoughtfully explore a topic in that level of detail. It takes time – which means “money” – to truly dig into the nuances of a topic, to get to know the people, to tell the stories that are necessary to understand how the topic affects people, and how it can matter to you. Some of these stories, quite frankly, don’t matter one whit. They are simply intriguing and interesting looks into the lives of something you thought was completely mundane, or never knew existed, or had no conception of. But all are tales worth telling, when told well.
Long-form journalism isn’t simply an exercise in length, which can occasionally end very, very badly. It’s an exercise in depth, which often requires length to achieve its goals. And that depth doesn’t come from a deadline-induced chaotic dash to the presses to beat everyone else to the punch. It comes from the thoughtful, methodical, and intelligent analysis of a situation, and that’s much harder to do in today’s world of aggregated-blog-posts-on-brand-name-websites-for-free world of “journalism” that’s taking over our public discourse. And since it’s getting harder to do, it’s much easier to appreciate it when it’s done well.
It’s an odd hobby we have, right? There’s a certain barrier to entry just based on the level of detail in most of these games. Put another way: there’s an amusing “how to choose the perfect board game”
There are more ways to communicate the culture of an organization than just in the formal presence of that group. There are the rituals they hold on to, the titles used among themselves, the recursive self-references that permeate long-standing organizations, and the attitudes they exhibit toward outsiders. How is dissension tolerated? How are new participants welcomed into the fold? Are there demands for overt displays of allegiance? How about voluntary self-identification?
The impostor phenomenon hits me rather personally. Let’s face it, I’m here helping run a wargaming site, and some people might mistake that for having some level of expertise in the wargaming field. But my track record in the wargaming field has honestly been pretty spotty along the way. I’ve legitimately had wargames in print that I sold through conventions and mail-order, but they were entirely self-published, so I never had to polish them enough to get them through a gatekeeper. I’ve also legitimately had RPGs in print that were sold online and through conventions, and through a few brick-and-mortar stores. But again, they were self-published and self-financed, and I probably lost money overall on them before the momentum dried up and let them languish. Yes, I worked on a wargame project on for the NSA, but I was brought on to coordinate playtesting and tweak variables in an existing game engine, not develop from scratch. We had a contract with NDU to create the GEMSTONE system, but after only a few iterations in use, it fell by the wayside, and I don’t think it’s even in use at NDU anymore with any other contractor. Sure, I’ve written reviews for a bunch of places like Scrye and RPG.net and that other site, but I was never a full-time paid staffer with a regular deadline and set of responsibilities and all the trappings of the professional writing trade. I’ve put together some events and presentations at game conventions (like the
I’ve written before about