With an Origins Award-winning game already on the market, Proving Ground Games is getting ready More »
Sauron’s recent escapades in Airship Dragoon included a shootout near Verdun between the Brits and More »
GARPA lands with three not-yet-funded projects that all look tres cool, and one that did make the More »
A Tuesday Screenshot in motion!
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A bad day in Rome
Is still miles better than a
Good day at a desk
With an Origins Award-winning game already on the market, Proving Ground Games is getting ready to branch out with a Kickstarter campaign for a more traditional board game. Heather Brown, business manager and game designer for Proving Ground, was kind enough to give us a few moments to talk about 1740, and the launch of their Kickstarter campaign.
So 1740 appears to be a pretty wide change of direction for the company that just won the award for Best Historical Minis game at Origins. What’s the thought process behind 1740 and how did become the “next game out the door” for you guys?
1740 has been in the back of my head for years. We went with Fields of Fire first because we had a well-tested set of beta rules from the 90s that just needed updating and tweaking. Books are less expensive and easier to publish, so we wanted our first foray into game production to be something that we knew we could get off the ground.
Now that we have that experience behind us, we’re poised to launch additional projects with a much better handle on the process. 1740 is a departure from Fields of Fire, but it still falls within our core game development philosophy. Our mission statement, if you will, is to produce games that are historical, accurate, fun to play, and easy to learn. 1740 fits that to a tee.
As far as why 1740 and not something else? I’ve loved 18th Century history since I was a girl. I grew up reenacting and actually my husband Mark and I met at a reenactment. One of my favorite books in high school was Outlander. It’s the story of a woman from 1945 being thrust back into Scotland in the 18th C. That kind of thing resonates with a reenactor. When I met Mark, he was portraying a Scottish loyalist regiment in the Revolution. So, 1740 brings together a lot of my passions into one place.
Review by Avery Abernethy, 25 July 2014
Paper Sorcerer is a turn-based, small party, role-playing game. Released by Runaway Games after a successful Kickstarter proposal, Paper Sorcerer harkens back to the early days of RPGs such as the early Wizardry, Ultima, and Gold Box D&D dungeons like Pool of Radiance or Eye of the Beholder. This review is based on my completion of the game after approximately eighteen hours of play on a newish Falcon Northwest personal computer. My copy of Paper Sorcerer was purchased from www.gog.com on sale for $3.99. The download was fast and the installation was smooth.
Paper Sorcerer has one of the most creative background stories that I have encountered. Your main character is an evil sorcerer who has been banished into a book by a party of four good characters. The book is your prison. It is also the prison of a host of other evil types. But a limited number of “good” heroes have also entered the book to keep all of the bad guys from magically breaking the bindings of the book and earning freedom in an unsuspecting world. The background story is largely told in a short animated sequence at the start of the game and reinforced with minimal background information learned as you explore the dungeon.
Sauron’s recent escapades in Airship Dragoon included a shootout near Verdun between the Brits and an unspecified “Asian” force.
University of Maryland Professor (and more importantly, wargamer!) Matt Kirschenbaum is on a European odyssey this summer. While in Switzerland for an academic conference, he made time to swing by a local museum and found an excellent display of wargaming history.
I was recently in Lausanne, Switzerland for a conference and, well, it rained the entire week. Looking around for something to do I noticed the Swiss Games Musuem, Le Musee Suisse du Jeu, was a short train ride away in the nearby town of La Tour de Pielz. Reading further, I discovered the museum was housed in a castle. A games museum in a castle? Let’s go! Upon arrival, I found two unexpected bonuses: first, the weather briefly cleared, *and* there was a special exhibition of WWI games on!
We’ve shown you the unboxing on Picket Duty, and we’ve got a review coming up. But for today, here’s a tease of the game on the table.
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Photo: Michael Eckenfels
A review by Lloyd Sabin, 20 July 2014
Published by Ubisoft Montpellier
As always, click images to enlarge
Emotions and War
I don’t typically wear my emotions on my sleeve. In the last 20 years I think I have shed tears three times in front of my own wife. But there are certain events and historical phenomenon that bring out the sensitive, skinny-jean-and-mesh-truck-cap wearing emo in me…and World War I is at that top of the list.
Why, specifically? I don’t know. Maybe I view World War I through too romantic a lens and I believe so much of what has been written about it: “lions led by donkeys,” the “death of innocence” and “good bye to all that.” Those terms and the emotions, places, and situations they describe really resonate with me in a way that no other historical era does.
It’s strange because I had direct contact with World War II through my grandparents: its horrors and its triumphs – so much so that World War II became almost commonplace to me. Where and when I grew up, everyone had a father, or more likely a grandfather, who fought in it. World War I is murkier; I have never knowingly met anyone who was there, so I have constructed what it was like for combatants on all sides in my own head. And this has produced a war where vengeance and justice have been replaced with melancholy and the longing for “the way things were before.” By World War II the world collectively knew that there was no going back; during World War I this loss was still very new and very fresh. This hazy, general feeling of loss and grief is captured masterfully by Valiant Hearts: The Great War (VH:TGW).
GARPA lands with three not-yet-funded projects that all look tres cool, and one that did make the cut that looks overwhelmingly cool.
Battle of the Electric Vikings (Black Slither Games)
$2400 of $4700, ends 6 August 2014
Rock out with your c… well, you know the rest. Black Slither Games gives everyone a chance to be their own heavy metal poet by piecing together your own song titles, lyrics, and albums from a bag of word tiles with the most metal of meaningful choices. Who cares if you win? It only matters if you ROCK! And that you pledge over at the Kickstarter page. That’s important, too.